162 results where found for «The Black King»

The Little Fence (La rejita)

Music piece by:
lyrics: collective creation; music: 'Jálame la pitita' by Luis Abanto Morales (Peruvian polka)
Testimony by:
María Cecilia Marchant Rubilar
Experience in:
Cárcel de Mujeres Buen Pastor, La Serena, September 1973 - January 1974
Tags:
« We always sang this song when we were taken to Regimiento Arica. That was a torture centre. »
[...]
« We had a kind of implicit code that prohibited us from crying or getting depressed during the day. At night, in our cells, we’d cry, but not during the day as there was always an older woman looking over you. We called the older women 'mum'. »
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We Shall Prevail (Venceremos)

Music piece by:
Claudio Iturra (lyrics) and Sergio Ortega (music)
Testimony by:
María Cecilia Marchant Rubilar
Experience in:
Cárcel de Mujeres Buen Pastor, La Serena, September 1973 - January 1974
Tags:
« I was studying to be a chemistry teacher at the University of Chile in La Serena. I was 21 years old when I was arrested. I think I was picked up due to a specific fact. I was regularly sent copies of the El Rebelde newspaper by train, in order to distribute them in parts of Region IV. »
[...]
«  ‘New Song’, both a social and musical movement that began in 1960s Chile and spread to other Spanish-speaking countries. »
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Candombe for José (Candombe para José)

Music piece by:
Roberto Ternán
Testimony by:
Amelia Negrón
Experience in:
Campamento de Prisioneros, Tres Álamos, June 1976
Tags:
« We were in Pavilion 1. One of us came up with the idea, I can’t remember who. There were so many of us and we spent the day inventing and creating things! »
[...]
« Another one of us had the idea of asking for the basketball court which was between the third pavilion (called Cuatro Álamos) and the barrack. And, wonder! They allowed us to play the knockout games there. We went out. It was a nice sunny day, the sky was blue. »
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Everything Changes (Todo cambia)

Music piece by:
Julio Numhauser
Testimony by:
Carolina Videla
Experience in:
Cárcel Pública de Arica, 1989-1990
Tags:
« My guitar accompanied me for the entire time that I was deprived of freedom. It was like a magnet. In the afternoon we would sing and play in the courtyard. »
[...]
« With the passing of time, you begin to remember. You see a before and after in life. Talking about it is a way to break free. We talk very little about these things. »
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To Be Seventeen Again (Volver a los diecisiete)

Music piece by:
Violeta Parra
Testimony by:
David Quintana García
Experience in:
Intendencia de Rancagua, 1973
Tags:
« I spent 45 days in the torture centre of Intendencia de Rancagua. Previously, I was detained with my brothers in the headquarters of the Cuartel de Investigaciones de Rancagua. »
[...]
« At the Intendencia, after experiencing torture, we concentrated on drinking mate, singing, telling jokes, and doing payas. »
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The Clock (El reloj)

Music piece by:
Roberto Cantoral
Testimony by:
Ana María Arenas
Experience in:
Calle Irán Nº 3037 / Venda Sexy / La Discotheque, December 1974
Tags:
« The day I was captured, after the first torture session, I asked for permission to sing a Christmas carol, the name of which I cannot remember. I did it to let one of my captive friends know that I was also at the Venda Sexy. »
[...]
« We were all from the left and were looking to have a safe space to share music and ideas. »
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Cantata Santa María de Iquique

Music piece by:
Luis Advis
Testimony by:
Alfonso Padilla Silva
Experience in:
Campamento Prisioneros Estadio Regional, 1975
Tags:
« Between March 1974 and July 1975, I had the opportunity to arrange about 200 songs and direct the production of the Cantata de Santa María de Iquique. In truth, the prison was my conservatoire. That’s where I learnt the basics of the profession of musician. »
[...]
«  ‘New Song’, both a social and musical movement that began in 1960s Chile and spread to other Spanish-speaking countries. »
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Lili Marlene

Music piece by:
Hans Leip
Testimony by:
Renato Alvarado Vidal
Experience in:
Campamento de Prisioneros Melinka, Puchuncaví, May - Octobre 1975
Tags:
« During the daily flag-lowering ritual in the camp Melinka, the prisoners first had to get into formation in the courtyard and then walk in line to the location of the mast. »
[...]
« I lowered my head, closed my eyes and listened, just listened, to these steps approaching, becoming louder, shaking the ground, going past me, and as they marched away, they left their singing floating in the air, where the loyal Lili Marlene was waiting for me under the light of a single streetlamp outside the barracks gates. »
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Under my Skin (A flor de piel)

Music piece by:
Julio Iglesias
Testimony by:
Carmen Espinoza Alegría
Experience in:
Colonia Dignidad, April 1975
Tags:
« I’m from Talca. I met César, my comrade, my love, in 1971 or 1972, approximately. We were young idealists, we were members of Juventudes Comunistas, and were student leaders in our secondary schools. »
[...]
« One night, in April 1975, ten or fifteen hooded people arrived at my house with machine guns and rifles. They knocked down the doors looking for me and they took me into a van with other colleagues. They put tape on our eyes and hoods on our heads. »
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Swan Lake

Music piece by:
Piotr Ilich Tchaikovski
Testimony by:
Carmen Espinoza Alegría
Experience in:
Colonia Dignidad, April 1975
Tags:
« When we arrived at Colonia Dignidad, they threw us into a shed. I despaired, took off my hood and a guard gave me a slap so hard that I fell to the ground. This was my arrival at the Colonia. »
[...]
« When they took us to interrogations with our eyes covered and a hood on our head, they played classical music that hypnotised us. Later, when speaking to a comrade, he told me that the music was Swan Lake, a ballet by Tchaikovsky. »
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